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ɪsᴛʀᴀᴢ̌ɪᴠᴀᴄ̌ᴋᴇ ᴘʀᴀᴋsᴇ ᴜ ᴜᴍᴊᴇᴛɴᴏsᴛɪ, ᴅɪᴢᴀᴊɴᴜ ɪ ᴀʀʜɪᴛᴇᴋᴛᴜʀɪ je serija razgovora na temu umjetničkog istraživanja fokusirana na procese, prakse, teorijske koncepte i modele proizvodnje znanja u pozadini “umjetničkog djela”. Razgovori često uključuju tehnologije i umjetničke predmete, ali tek kao alate za raspravu – fragmentirane, slomljene, ponovno posredovane ili terminalno nedovršene. Razgovori nemaju unaprijed određenu strukturu, već se temelje se na konstelaciji koncepata koji proizlaze iz praksi pozvanih autora.

Četvrto izdanje ɪsᴛʀᴀᴢ̌ɪᴠᴀᴄ̌ᴋɪʜ ᴘʀᴀᴋsɪ ugostit će umjetnicu ɴɪᴋᴜ ᴅᴜʙʀᴏᴠsᴋʏ (ᴍᴜsᴇᴜᴍ ᴏғ ᴄᴀʀᴇ), kustosicu ᴀɴᴜ ᴅᴇᴠɪᴄ́ (ᴡʜᴡ), kustosa i likovnog kritičara ᴀɴᴅʀɪsᴀ ʙʀɪɴᴋᴍᴀɴɪsᴀ (ɴᴀʙᴀ), umjetnika ɪᴠᴀɴᴀ sᴋᴠʀᴄᴜ (ᴀʟᴜ) te umjetnički kolektiv ᴄsᴅ (ᴄʀɪᴛɪᴄᴀʟ sᴛᴜᴅɪᴇs ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ).

Razgovor pod naslovom ᴜɴᴇᴅᴜᴄᴀᴛɪᴏɴ će se baviti sljedećim konceptima:

ᴏʙʀᴀᴢᴏᴠᴀɴᴊᴇ // (ᴅᴇ)-ᴏʙʀᴀᴢᴏᴠᴀɴᴊᴇ
ᴅɪᴊᴇʟᴊᴇɴᴊᴇ // ᴜᴏᴋᴠɪʀɪᴠᴀɴᴊᴇ // ᴏᴛᴠᴏʀᴇɴᴏsᴛ
sᴛᴜᴅᴇɴᴛɪ // ʀᴀᴅɴɪᴄɪ // ᴢᴀᴊᴇᴅɴɪᴄᴀ
ɪsᴛʀᴀᴢ̌ɪᴠᴀᴄ̌ᴋɪ ᴘʀᴏsᴛᴏʀɪ // sᴜʀᴀᴅɴɪᴄ̌ᴋᴇ ᴘʀᴀᴋsᴇ
ʀᴀᴢᴠɪᴊᴀɴᴊᴇ // ᴘʀᴇᴅsᴛᴀᴠʟᴊᴀɴᴊᴇ
ʀᴇғʟᴇᴋsɪᴊᴀ // ᴋᴏɴᴛᴇᴋsᴛ
ᴛʀᴀɴsɴᴀᴄɪᴏɴᴀʟɴᴏ // ᴛʀᴀɴsᴅɪsᴄɪᴘʟɪɴᴀʀɴᴏ
sᴜʀᴀᴅɴᴊᴀ // ᴅɪᴊᴀʟᴏɢ

Razgovor na engleskom jeziku će moderirati ᴍᴀʀᴋᴏ ᴛᴀᴅɪᴄ́ i ɴɪᴋᴏʟᴀ ʙᴏᴊɪᴄ́.
Događaj se odvija u organizaciji Akademije likovnih umjetnosti Sveučilišta u Zagrebu.
Dizajn Damir Gamulin Gamba.

Pozvani autori (bio):

ᴀɴᴅʀɪs ʙʀɪɴᴋᴍᴀɴɪs je likovni kritičar i kustos usmjeren na alternativno obrazovanje i odnos obrazovanja i vizualne kulture. Voditelj je preddiplomskog kolegija slikarstva i vizualnih umjetnosti na Nuova Accademia di Belle Arti (NABA) u Milanu te je bio gostujući izvanredni profesor na Umjetničkoj akademiji Latvije u Rigi. Jedan je od suinicijatora kolektiva Critical Studies Department (CSD) i online projekta “Obrazovanje i (anti)institucije” nastalog u bliskoj suradnji s Muzejom skrbi i Zakladom Davida Graebera (2021.-22.). Surađivao je s časopisima i publikacijama poput Il Corriere della Sera, Alfabeta2, Arte e Critica, Flash Art International, Studija, a međunarodni je urednik edicije “No Order. Umjetnost u postfordističkom društvu”. Od 2007. do 2013. bio je povjerenik i ko-kustos Paviljona Latvije, Estonije i Srednje Azije na Venecijanskom bijenalu. Bio je dio kustoskog tima Documenta 14 (2017.), 2. Yinchuan Biennale (2018.) te je kurirao projekt Infancy and History na Institutu OCAT u Pekingu (2019.). Urednik je nedavno objavljene knjige „Asja Lācis. L’agitatrice rossa. Teatro, femminismo, arte e rivoluzione” (Meltemi press, 2021.)
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ᴀɴᴀ ᴅᴇᴠɪᴄ́ je kustosica sa sjedištem u Zagrebu. Članica je kolektiva Što, kako i od koga / WHW (s Ivetom Ćurlinom, Anom Dević, Natašom Ilić, Sabinom Sabolović i dizajnerom i publicistom Dejanom Kršićem). Od 2003. s WHW kolektivom vodi program Galerije Nova u Zagrebu, gdje je 2018. pokrenula “WHW Akademiju”, međunarodni studijski program za umjetnike. Od 2019. godine članice WHW-a Ivet Ćurlin, Nataša Ilić i Sabina Sabolović imenovane su za umjetničke voditeljice Kunsthalle Wien u Beču, a u Zagrebu se nastavljaju kolektivne aktivnosti WHW-a koje koordinira Ana Dević. S WHW-om je kurirala brojne izložbe, kao što su: “Kolektivno stvaralaštvo”, Kunsthalle Fridericianum, Kassel, 2005.; ”Što čovječanstvo održava na životu?”, 11. Istanbulski bijenale, Istanbul, 2009., ”Treba živjeti samopouzdano... Gledanje”, Hrvatski paviljon na 54. Bijenalu u Veneciji, 2011.; a posljednjih godina ”Sve što vidimo moglo bi biti i drugačije (My Sweet Little Lamb)”, The Showroom, London (ko-kustosica s Kathrin Rhomberg i Emily Pethick), 2017.; ”Na ramenima palih divova”, 2. Bijenale industrijske umjetnosti, Istarska regija, ”Želimir Žilnik: Građani iz sjene”, Edith-Russ-Haus za medijsku umjetnost, Oldenburg, 2018.
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ɴɪᴋᴀ ᴅᴜʙʀᴏᴠsᴋʏ je autorica koja radi na nekoliko izdavačkih i umjetničkih projekata, uključujući A4kids.org, open source platformu koja eksperimentira s novim obrazovnim formatima, a koju je pokrenula zajedno s pokojnim suprugom Davidom Graeberom, antropologom i aktivistom. Većina njezinih projekata posvećena je izgradnji i održavanju društvenih odnosa, među kojima su i "Muzej brige" - nomadski "anti" institut; diskurzivnu seriju "Fight Club", te feministički projekt "TheYesWomen". Sudjelovala je na brojnim međunarodnim izložbama, uključujući i izložbe u Tel-Aviv Museum-u, Galeriji Nova u Zagrebu, Show Room-u Londonu, Media Udar-u, Fabrica u Moscovi i Apexart u New Yorku. Pisala je za e-flux, artnet i druge časopise, a knjige su joj objavljene na engleskom, finskom, ruskom, ukrajinskom, poljskom, njemačkom i drugim jezicima.
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ɪᴠᴀɴ sᴋᴠʀᴄᴇ je umjetnik i docent na Odsjeku za slikarstvo Akademije likovnih umjetnosti u Zagrebu. Uz dvadesetogodišnju samostalnu i grupnu umjetničku praksu (ABS grupa), angažiran je na području likovnog obrazovanja i razvoja obrazovnih politika i programa u području vizualnih umjetnosti. Predavao je na raznim obrazovnim ustanovama i razinama, od srednjih umjetničkih škola, privatnih fakulteta, poslovnih škola, umjetničkih akademija, a od 2017. godine zaposlen je na Akademiji likovnih umjetnosti u Zagrebu gdje je obnašao i dužnost voditelja Odsjeka za slikarstvo. Trenutačno je voditelj ESF projekta Academy in Progress / Implementacija HKO na razini visokog obrazovanja (2019.-2022.) i međunarodnog projekta Erasmus + Erasmus Mundus Design Measures projekta „Umjetnost, znanost i zdravlje MA program” (2022.-2023.).
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ᴄʀɪᴛɪᴄᴀʟ sᴛᴜᴅɪᴇs ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ (ᴄsᴅ) je suradnički istraživački kolektiv koji je samoinicirano razvila studentska skupina s NABA-inog programa vizualnih umjetnosti i kustoskih studija početkom početkom krize izazvane virusom COVID-19. Svjesni nepovoljnog položaja studenata u kriznom razdoblju, kolektiv CSD je odlučio djelovati razvijanjem projekta koji predstavlja alternativni prijedlog konkurentskim i hegemonijskim mehanizmima svijeta umjetnosti i akademskog sustava. Članovi CSD-a su: Giacomo Segantin, Eleonora Reffo, Gabriella R. Kolandra, Agnese Politi, Emma Moriconi, Francesco I. Scalas, Paola Pietronave.
ɪsᴛʀᴀᴢ̌ɪᴠᴀᴄ̌ᴋᴇ ᴘʀᴀᴋsᴇ ᴜ ᴜᴍᴊᴇᴛɴᴏsᴛɪ, ᴅɪᴢᴀᴊɴᴜ ɪ ᴀʀʜɪᴛᴇᴋᴛᴜʀɪ - 4

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eng
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ʀᴇѕᴇᴀʀᴄʜ ᴘʀᴀᴄᴛɪᴄᴇѕ ɪɴ ᴀʀᴛ, ᴅᴇѕɪɢɴ ᴀɴᴅ ᴀʀᴄʜɪᴛᴇᴄᴛᴜʀᴇ is a series of public discussions with invited authors, on research practices in contemporary art and related fields. Each discussion focuses on the processes, materialities, theoretical constellations and models of knowledge production behind “the artwork”. The event often includes physical objects or artworks, but as tools of discussion - fragmented, broken, re-mediated or terminally unfinished. The events often have no predetermined plots. They are based on the set of concepts emerging from the practices of invited researchers.

In the 4th edition, the talk will involve an artist and author ɴɪᴋᴀ ᴅᴜʙʀᴏᴠsᴋʏ (ᴍᴜsᴇᴜᴍ ᴏғ ᴄᴀʀᴇ), curator ᴀɴᴀ ᴅᴇᴠɪᴄ́ (ᴡʜᴡ (ᴀᴄᴀᴅᴇᴍʏ), curator and art critic ᴀɴᴅʀɪs ʙʀɪɴᴋᴍᴀɴɪs (ɴᴀʙᴀ), artist ɪᴠᴀɴ sᴋᴠʀᴄᴇ (ᴀʟᴜ), and art collective ᴄsᴅ (ᴄʀɪᴛɪᴄᴀʟ sᴛᴜᴅɪᴇs ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ).

Under the title ᴜɴᴇᴅᴜᴄᴀᴛɪᴏɴ, the discussion will tackle following concepts:

ᴇᴅᴜᴄᴀᴛɪᴏɴ//ᴜɴᴇᴅᴜᴄᴀᴛɪᴏɴ
sʜᴀʀɪɴɢ // ғʀᴀᴍɪɴɢ // ᴏᴘᴇɴɴᴇss
sᴛᴜᴅᴇɴᴛs // ᴡᴏʀᴋᴇʀs // ᴄᴏᴍᴍᴜɴɪᴛʏ
ʀᴇsᴇᴀʀᴄʜ sᴘᴀᴄᴇs // ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴠᴇ ᴘʀᴀᴄᴛɪᴄᴇs
ᴅᴇᴠᴇʟᴏᴘ // ʀᴇᴘʀᴇsᴇɴᴛ
ʀᴇғʟᴇᴄᴛɪᴏɴ //ᴄᴏɴᴛᴇxᴛ
ᴛʀᴀɴsɴᴀᴛɪᴏɴᴀʟ // ᴛʀᴀɴsᴅɪsᴄɪᴘʟɪɴᴀʀʏ
ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴ // ᴅɪᴀʟᴏɢᴜᴇ

The discussion will be moderated by ᴍᴀʀᴋᴏ ᴛᴀᴅɪᴄ́ and ɴɪᴋᴏʟᴀ ʙᴏᴊɪᴄ́.
The event is supported by the Academy of Fine Arts in Zagreb.
Design: Damir Gamulin Gamba.

Invited speakers (bio):——————————————————————————

ᴀɴᴅʀɪs ʙʀɪɴᴋᴍᴀɴɪs is an art critic and curator of Latvian origin, based in Milan. He has been Course Leader of the BA in Painting and Visual Arts at NABA in Milan and Guest Associate Professor at the Art Academy of Latvia in Riga. His research focuses on alternative education and the relationship between education and visual culture. He is one of the co-initiators of the Critical Studies Department (CSD), collective in Milan and of an ongoing online project “Education and (Anti)Institutions” created in close collaboration with The Museum of Care and David Graeber Foundation (2021-22). He has collaborated with magazines and publications such as Il Corriere della Sera, Alfabeta2, Arte e Critica, Flash Art International, Studija, and he is the International Editor of the bookzine No Order. Art in a Post-Fordist Society. From 2007 to 2013 he was commissioner and co-curator of Latvia, Estonia and Central Asia Pavilions at the Venice Biennale. He was part of the curatorial team of Documenta 14 (2017), 2nd Yinchuan Biennale (2018) and has curated Infancy and History at the OCAT Institute, Beijing (2019). A book “Asja Lācis. L’agitatrice rossa. Teatro, femminismo, arte e rivoluzione” edited by Andris Brinkmanis has been published by Meltemi in September 2021.
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ᴀɴᴀ ᴅᴇᴠɪᴄ́ is a curator based in Zagreb. She is a member of curatorial collective What, How and from Whom / WHW (with curators Ivet Ćurlin, Ana Dević, Nataša Ilić, Sabina Sabolović and designer and publicist Dejan Kršić). Since 2003 WHW collective has been running the program of Gallery Nova, a city-owned gallery in Zagreb, and in 2018 launched “WHW Akademija” a new international study program for emerging artists. In 2019 members of WHW Ivet Ćurlin, Nataša Ilić and Sabina Sabolović were appointed as artistic directors of Kunsthalle Wien in Vienna, WHW collective activities continue in Zagreb coordinated by Ana Dević. With WHW she co-curated numerous exhibitions, such as: Collective Creativity, Kunsthalle Fridericianum, Kassel, 2005; What keeps mankind alive?, 11th Istanbul Biennial, Istanbul, 2009, One Needs to Live Self-Confidently…Watching, Croatian pavilion at 54th Venice Biennial, 2011; and in recent years Everything we see could also be otherwise (My Sweet Little Lamb), The Showroom, London, (co-curated with Kathrin Rhomberg and Emily Pethick), 2017; On the Shoulders of Fallen Giants, 2nd Industrial Art Biennial, Istria region, Želimir Žilnik: Shadow Citizens, Edith-Russ-Haus for Media Art, Oldenburg, 2018.
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ɴɪᴋᴀ ᴅᴜʙʀᴏᴠsᴋʏ is an author working on several publishing and art projects, including A4kids.org, an open-source platform experimenting with new educational formats, co-created with her late husband David Graeber, an anthropologist and activist. Most of her projects are dedicated to the building and maintaining of social relationships, among which are the "Museum of Care" - a nomadic 'anti' institute; the discoursive series "Fight Club", and the feminist "TheYesWomen" project. She participated in numerous international exhibitions, including Tel-Aviv Museum, Galeria Nova Zagreb, Show Room London, Media Udar, Fabrica Moscow and Apexart New York.
She has written for e-flux, artnet and others, and her books are published in English, Finnish,
Russian, Ukrainian, Polish, German and other languages.
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ɪᴠᴀɴ sᴋᴠʀᴄᴇ is an artist and assistant professor at the painting department of the Academy of Fine Arts in Zagreb. Along with the twenty years of independent and group artistic practice (ABS group), he has been engaged in the field of art education and the development of educational policies and programs in the field of visual arts. He was teaching in various educational institutions, from art high schools, private colleges, business schools, art academies, and since 2017 on at the Academy of Fine Arts in Zagreb, where he also served as a head of the Painting Department. He is currently the leader of the ESF project “Academy in Progress / Implementation of the CROQF at the Higher Education Level (2019-2022)” and the international Erasmus + Erasmus Mundus Design Measures project “Art, Science and Health MA program” (2022-2023).
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ᴄʀɪᴛɪᴄᴀʟ sᴛᴜᴅɪᴇs ᴅᴇᴘᴀʀᴛᴍᴇɴᴛ (ᴄsᴅ) is a research space and collaborative process developed by student group from NABA's Visual Arts and Curatorial Studies course during the first pandemic lockdown. Aware of their disadvantaged position, CDS group decided to act by developing a project that represents an alternative proposal to the competitive and hegemonic mechanisms of the art world and the academic system. Members of CSD are: Giacomo Segantin, Eleonora Reffo, Gabriella R. Kolandra, Agnese Politi, Emma Moriconi, Francesco I. Scalas, Paola Pietronave.